Yesterday when I announced Hereafter as feature film Sunday, E. -Stuck on the couch by a cast that covers the entire leg-indulged a series of exclamations that you can not write.
Eastwood is certainly much loved by critics and collects applause of petit bourgeois liberal spin doctors. The film, I read on Wikipedia, also received an Academy Award nomination, despite the view of the criticism is "mixed."
The best assessment is summarized in the following scene. The film has just finished six of us we are moving towards the exit sad, all very shocked and lack the desire to make a statement. I am aware that I played the right to choose the title of the film for the next 200 weekend. The real task of the Epiphany on the lips of M. declaring "Sgrunt.
"Sgrunt", indeed. If the "Inception" at least has the merit of the idea of \u200b\u200bgenius, which then defeats in a discussion of logical paradoxes from primary subsidiary, Hereafter is a banality and disarming enough. There are all the ingredients: the scientist German who lives on top of the mountain and says "there is evidence of the afterlife," the journalist who jeopardizes his career with the book in which he denounced "the conspiracy of silence about the afterlife." And do not believe it but the afterlife is depicted as a play of light and shadow, the sense of sight and weightlessnes and 360 degrees. The boundary between the classical and erudite quote verbatim repeat for the millionth time the same platitudes, where are you?
The film structure is that of seemingly disconnected stories that intersect in the final. Amores perros, 21 grams and the other seventy films made before and better, so the great director's contribution can not be that. The plot would require at least the flood of emotions, but in fact the film runs lean and minimal and creates a real inconsistency. Matt Damon is very good, but if we cling to the fact that Messi has played well ...
The only positive aspect is that eventually the poor E., plaster, we did not make a wrong:)
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